Going around museums and galleries, seeing films, talking to
people, seeing new shops, looking at silly magazines, taking an interest in the
activities of the people in the street, looking at art, travelling: all these
things are not useful, all these things do not help me, do not give me any
direct stimulation to help my search for something new. And neither does
fashion history.
The reason for that is that all these things above already
exist.
I only can wait for the chance for something completely new
to be born within myself.
The way I go about looking for this from within is to start
with a proposal ‘theme’. I make an abstract image in my head. I think
paradoxically (oppositely) about patterns I have used before. I put parts of
patterns where they don’t usually go. I break ideas of ‘clothes’. I think about
using for everything that one would normally use for one thing. Give myself
limitations. I pursue a situation where I am not free. I think about a world of
only the tiniest narrowest possibilities. I close myself. I think that
everything about the way of making clothes hitherto is no good. This is the
rule I always give myself: that nothing new can come from a situation that
involves being free or that doesn’t involve suffering.
In order to make this SS14 collection, I wanted to change
the usual route within my head. I tried to look at everything I look at in a
different way. I thought a way to do this was to start out with the intention
of not trying to make clothes.
I tried to think and feel and see as if I wasn’t making
clothes.
[Rei Kawakubo, October 2013]
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