JENNY HVAL - FRAGMENTE TE MEMORIES TE TRANSKRIPTUARA SHTREMBER [INNOCENCE IS KINKY, 2013]

The voice is a second flesh that cannot be seen.
This body is not the vision.
The seer cannot go there.

Liria.

Akuti ne rritje derisa behet i panatyrshem per veshin human.

Po, sepse eshte zeri madheshtia e muzikes se norvegjezes Jenny Hval (lindur e rezidente ne Oslo). Tone kaq te sfazuara saqe gjurmet audio shnderrohen ne instalime visuale per mendjen, marrin forma te crregullta e zbulohen e zhduken papritmas.

Nuk ka nje ritem te arsyeshem ne kete eksperiment te zerit (kujtoni Meredith Monk, Diamanda Galas), duke mos paralajmeruar fundin (where do I end?) dhe pa pretendime mirekuptimi. Gjendje qe verifikohet ne (pa)kushtet e lirise totale, piketakimet elimohen e hapesira mbush e vetmuar vizionin.

Femerore.

Pershkruar si nje personalitet i forte (i papajtueshem me klishet e artit sot!) dhe e dhene per multidisiplina (audio-artist), Jenny Hval shpreh nje sensualitet te semure (“Hello? Excuse me? / I think you left something at my house... / Oh yes... My virginity. / Bring. It. Back”) me nje medyshje mes kenges e recitimit, ku kitaret elektrike sherbejne si paralele zbutese.

DAMIR IMAMOVIC'S SEVDAH TAKHT

Apart from fluency in sevdah and other musical genres this trio is characteristic for their readyness to open their ears and play everything they know...

"We’re trying to find these traces, for example, of the odd rhythms in Bosnian music and we didn’t bring them in from jazz: We found them in the very melody we play.

We are using the potential that is already there... We are reopening these processes that have already happened in this music and are trying to see what the other possibilities are." [Damir Imamović]