PYE CORNER AUDIO TRANSCRIPTION SERVICES WITH "ELECTRONIC RHYTHM NUMBER..." - GRAVITETI OPSIONAL

Ka edhe keshtu. Per kater vjet, nga viti 2010, mbyllet pashpjegueshmerisht e regjistron kaseta (po po, kaseta me shirit) dhe me pas publikon gjithcka ne vinil Black Mill Tapes Volume 1-4 (2014).

 

Profil ky rrethuar me pak mister e pak fjale (meqe dihet fuqia e ketyre te fundit kur abuzohet), luan muzike retro-futuriste, me nje nur vintage e tastiera te markave te panjohura. Elektronike me caqe post-punk-u, qetesi e spraj me ngjyra valesh oqeani ne kohe me ere. Maniak i tingullit dhe e merr seriozisht punen e terminologjise (saqe e konsideron veten si nje Kryetekniku - Head Technician).

Abstraksioni ze vend ne rresht te pare ne paraden e ndikimeve dhe perceptimeve te PCA: aroma nostalgjike, klasicizem, sygjerime atmosferash nga Vangelis, kolona zanore gjoja-Blade Runner (per tu degjuar "Sleep Games"), sikur i feshkellejne Boards of Canada dhe Giorgio Moroder (ne fillimet e tij ky) etj etj. 

"Electronic Rhythm Number..." dhe nje numer te plote ne fund; keshtu titullohen shumica e ketyre audio-koncepteve.

Bote e qete dhe  dashuri e ngadalshme. Per tu shtangur perballe nje monitori jo-HD perpara se te ri-realizoheshin efektet slow-motion!

 

Impulse sporadike per te kercyer perhumbur duke u shprehur ne nje body language individual.
E megjithate mbetet i spikatur "udhetimi", sikur ne mungese te gravitetit nuk ka destinacion, por shperndahet si grimca pluhuri ne erresire.

GABOR SZABO - THE ARTIST WHO NEVER GOT THE APPRECIATION HE FELT HE DESERVED

Not only Gabor was an amazing guitarist and prolific jazz musician, but first of all, he was an incredible innovator!
He started experimenting with eastern sounds (born in Budapest/Hungary in 1936) and innovating very early on. I got sucked into the Gabor world when I heard Spellbinder (1966). That was the first 'real, but late' Szabo ticket for me.

An LP rich with texture and feeling, stopping throughout the world to pick up varied influences (latino, jazz, funk). It began my 'branching out' into other areas, and I've gotta thank Gabor for that. Time to delve right into a nice Chai tea on a rainy day and peep a Fellini movie, or listening to a Buckley's 'Gypsy Woman'.
It seems like he was alwasy an open door to other worlds...
His eastern influences and Hungarian descent set his path and direction for virtually all of his magnificent career.

This tune 'Galatea's Guitar' (from LP Dreams, 1968) is a major mood setter.
Much of Gabor's music is this way. But, in particular this tune just seems to open up, right into an oasis of head nodding trippy jazz funk paradise. The intro is a bit long, the tune doesn't really start until about 1:44. But, like I said the mood is being set and the wait is well worth it. It is perhaps the closest to a 'dream' tune.

SASCHIENNE [UNKNOWN, 2012]

'The way we were starting making music together was very spontaneous, and also very direct.

We were discovering each other in that way'

...

How do you say: 'Love always wins'. Wins against sorrow and monotony, which recently used to associate Sasha Funke working through various studios, but with no desirable results.
And suddenly his wife, Julienne Dessagne, turned back! With her ​​voice and music she helped to publish an LP under the project Saschienne [Unknown, 2012].

Below you can watch the official video for 'Grand Cru', one of the LP highlights: